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  Home > by Artist > Constellations >

  Constellations - 6/4/10 - Wakarusa - Revival Tent
 
 


Item# Item Name Our Price Qty Add
1211-0001 Constellations - 6/4/10 - Wakarusa - Revival Tent - CD Mail Order $14.99
1211-0002 Constellations - 6/4/10 - Wakarusa - Revival Tent - Combo CD & Download $19.99
1211-0003 Constellations - 6/4/10 - Wakarusa - Revival Tent - Cool USB Wrist Band $19.99
1211-0004 Constellations - 6/4/10 - Wakarusa - Revival Tent - Download $9.99
1211-0005 Constellations - 6/4/10 - Wakarusa - Revival Tent - DVD Mail Order $19.99
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Download Specs:
  • 128K
    MP3




Artist Bio:
The Constellations could have called their debut album After Hours. Sure, Martin Scorsese already used that name for his 1985 black comedy, but the two works share much in common. Both are wide screen spectacles rife with seedy scenes and eccentric personalities, propelled by a manic energy that hustles the audience deeper into the unexpected. But Southern Gothic was a better choice. Because The Constellations stomping ground is Atlanta, GA, and in the wee small hours of the morning, A-Town can get awfully bizarre.

The record is all about what happens in Atlanta from 2 AM until noon. Your tour guide on this madcap adventure is the magnetic frontman and vocalist Elijah Jones, the ringleader of the twisted circus that is The Constellations, who spent two years writing and recording the album with producer Ben H. Allen (Animal Collective, Gnarls Barkley), along with some storied cronies from the local scene. Not that they set out with specific intentions. Far from it. “All of us wanted to do a record about Atlanta, but we never said it in words,” recalls Jones. “But the deeper we got into it, the more we realized we were writing a concept album.”

Atlanta has been providing the backdrop and soundtrack for Jones life since childhood. Now he wanted to share his hometown’s underbelly with the rest of the world. “Atlanta is a huge city, but it still has a small town feel to it,” explains the singer. “Everybody knows everybody, you run into the same people at the same bars every week. So it’s still kind of Mayberry, but with all the yummy stuff that comes along with being a big city—and all the bad stuff, too.”

“Atlanta is strange,” he adds, “because we’re all basically pushed together.” The hip-hop heads, punk rockers, and indie kids all rub shoulders and mix it up. Southern Gothic reflects that inclusive diversity in its far-reaching sound. “The record was designed to sound lyrically and melodically very thought out, and sonically very disorganized,” comments Allen. One expects nothing less from a singer who cites Tom Waits and Cee-Lo of Goodie Mob and Gnarls Barkley as his musical heroes, working with a producer who name-checks Fela Kuti and Gorillaz among their record’s key influences.
http://theconstellationsmusic.com/




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